| Hauptwerk I C-g³ | Bourdon | 16‘ | | | Montre | 8‘ | | | Salicional | 8‘ | | | Bourdon | 8‘ | | | Prestant | 4‘ | | | Spitzflöte | 4‘ | | | Quinte | 2 2/3‘ | | | Doublette | 2‘ | | | Terz | 1 3/5‘ | | | Fourniture | 3f | | | Cymbale | 3f | | | Trompette | 8‘ | | | Cornet | 4f | | | | | | Positiv II | Principal | 8‘ | | | Viola | 8‘ | | | Unda Maris | 8‘ | | | Rohrgedeckt | 8‘ | | | Oktave | 4‘ | | | Rohrflöte | 4‘ | | | Oktave | 2‘ | | | Quarte | 2‘ | | | Tierce | 1 3/5‘ | | | Larigot | 1 1/3‘ | | | Cymbale | 4f | | | Cromorne | 8‘ | | | | | | Récit III schwellbar | Dulciana | 8‘ | | | Copel | 8‘ | | | Traversière | 8‘ | | | Dulciana | 4‘ | | | Basson-Hautbois | 8‘ | | | Trompette | 8‘ | | | Voix Humaine | 8‘ | | | Cornet | 4f | | | | | | Pedal C-f1 | Flute | 16‘ | | | Subbass | 16‘ | | | Flute | 8‘ | | | Gemshorn | 8‘ | | | Oktave | 4‘ | | | Posaune | 16‘ | | | Trompete | 8‘ | | | | | | Koppeln | II/I, III/I, III/II, | | | | I/P, II/P, III/P, III/P4‘ | | | Appels d‘anches | Anches Pedal | | | | Anches Man I | | | | Anches Man III | | | Tremblmant doux | Man III | | | Tramblmant doux | Man I und II | | | Stimmungssystem | nach Neidhart | | | Disposition | Yves Koenig | | | | Jürgen Essl | | | | Wolfram Rehfeldt | | |
